•  George Williamson is undoubtedly a talent to watch.

    Ismene Brown - Arts Desk, Daily Telegraph

The Center for Ballet and the Arts at NYU Announces George Williamson as a Resident Fellow 2019 -2020

Albatross Milwaukee Ballet 2019 – Broadway World
“The depth of this pair’s bond, the weight of their love and the life they’ve built – it all comes through in exquisite choreography and dancing. Albatross is beautiful, moving, and incredibly mesmerizing.”

DANCE EUROPE BEST OF 2018 includes Embrace for Birmingham Royal Ballet

Embrace Birmingham Royal Ballet
★★★★★- Bach Track
“Williamson negotiates this tension with a delicate precision and crafts something that releases the genre to say something new without losing its visual identity.”
★★★★- The Guardian “Lawrence’s attempts at a heterosexual relationship are tenderly and truthfully embodied in a language of failed alignments and misread physical clues”
★★★★- The Times
★★★★- The Independent
★★★★- The Stage

George Williamson has won the GENESIS INTERNATIONAL CHOREOGRAPHY COMPETITION 2017 with his ballet Wonderers at Milwaukee Ballet.

“Williamson’s “Wonderers” combined striking, short, solo moments, danced in single shards of white light, stage-filling ensemble bits, with movements ranging from angular, arresting poses-in-motion, to sinewy, long gestures, and driving, urgent physicality, punctuated by articulate, meaningful pas de deux—the movement and music seemed inseparable at times.”
Elaine Schmidt – Journal Sentinel Milwaukee

DANCE EUROPE BEST OF 2016 includes Crane for Dutch National Ballet

Strangers, New English Ballet Theatre, 2016

“This brought a new angle to a familiar narrative, creating satisfying, polished, beautifully performed and nuanced dance. There is real depth to this choreography—creating emotional resonance and some exquisite visual compositions. This piece was the one I took away with me, with so many images and memories fixed in my mind. I would love to see this again.”
Christopher Curtis – Bachtrack

Crane, Dutch National Ballet, 2016
“The dance gives ample space especially for the female dancers to express themselves in short, driven solos…fast, modern and with a hint of evil wizardness.”
Lambrecht Wessels – Bachtrack

Murmuration, ABT Studio Company, 2016
“Even as couples and soloists emerged from the work’s shifting constellations— the ensemble was the star.”
Siobhan Burke – The New York Times

My First Ballet: Sleeping Beauty, English National Ballet, 2016
“A gorgeous treat for kids and parents.”- The Daily Express
“A high-spirited, light-hearted production that children are sure to enjoy alongside their parents” -The Upcoming
“The characterisation, storytelling, set and costume are all spot-on, leaving this young audience captivated to the very last moment…” -A Younger Theatre


Dawn Dances, Dutch National Junior Company, 2014
“Williamson has the brain to match the chops we already knew he had… there’s a sense of intelligence and purpose here that reminds me strongly of Christopher Wheeldon’s best work.”
Hanna Weibye – The Arts Desk

BENOIS DE LA DANSE AWARD 2013 Nomination for Firebird, English National Ballet,

Firebird, English National Ballet, 2012
“It’s a very young man’s viewpoint on ballet – more about physical glitter and styling, more about swagger than about magic. But boy, what confidence. George Williamson is undoubtedly a talent to watch.”

Ismene Brown – The Arts Desk, The Daily Telegraph


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